Gabriel Orozco, Penske Works, Dent de Lion, and Pinched Star, all 1998. View of installation.

Gabriel Orozco

New York

Marian Goodman

“What l’m after is the liquidity of things”-so begins a brief article about his films by the Mexican conceptual artist Gabriel Orozco, who likes to improvise with objects off the street. His ironic, casually subversive sensibility was available to the viewer in his second solo show at Marian Goodman, titled
“Free Market ls Anti-Democratic.” The slangy, deliberately anarchic exhibition consisted of a melange
of materials and approaches, calculated to evade any easy, or unconsciously smug, interpretation by art-world sophisticates… Subscribe to Sculpture Magazine for the full review.