Arthur Boyd

Arthur Merric Bloomfield Boyd,  1920 –1999

One of the leading Australian painters of the late 20th Century. A member of the prominent Boyd artistic dynasty in Australia, his relatives included painters, sculptors, architects or other arts professionals. His sister Mary Boyd married John Perceval, and then Sidney Nolan, both artists. His wife Yvonne Boyd née Lennie, and son Jamie and daughters Polly and Lucy are also painters.  Boyd's work ranges from impressionist renderings of Australian landscape to starkly expressionist figuration, and many canvases feature both. Several famous works set Biblical stories against the Australian landscape, such as "The Expulsion" (1947-48), now at Art Gallery of New South Wales.  He was a member of the Antipodeans, a group of Melbourne painters that also included Clifton Pugh, David Boyd, John Brack, Robert Dickerson, John Perceval and Charles Blackman.  He was born at Murrumbeena, Victoria. Boyd had no formal training in painting and drawing, however he studied with his grandfather Arthur Merric Boyd, the New Zealand-born landscape painter and Merric Boyd, the Australian sculptor and studio potter. Early paintings were portraits and of seascapes of Port Phillip created while he was an adolescent, living in the suburbs of Melbourne. He moved to the inner city where he was influenced by his contact with European refugees. Reflecting this move in the late 1930s, his work moved into a distinct period of depictions of fanciful characters in urban settings.  In the 1940s he was a member of the Angry Penguins artistic and literary group. His best-known work is perhaps his Half Caste Bride series in the 1950s, based on his contact with Aboriginal culture in Alice Springs in 1951. He represented Australia with Arthur Streeton at the Venice Biennale in 1958. He joined the Antipodeans Group in the Whitechapel gallery.  He produced several series of works, including a collection of 15 biblical paintings based on the teaching of his mother, Doris Boyd née Gough. Later he produced a tempera series about large areas of sky and land, called the Wimmera series.  Avoiding the social issues raised in works such as Half Caste Child and feeling drawn to European styles of painting, Boyd moved to Hampstead, London in 1960. The same year he held his first London exhibition. While here, Boyd entered another distinct period with his works themed around the idea of metamorphosis.  He started another well known series of works, Nebuchadnezzar, in 1966. He returned to Australia in 1971, as one of Australia's most highly regarded artists. In 1978 he bought properties and settled permanently at Bundanon on the Shoalhaven River. He donated this 1100-hectare property to the people of Australia in 1993. His creations now focused on the primeval natural settings found in the Australian bush and in later years explored the interplay between human land use and natural wilderness. Boyd was enthralled by his position near the river and by the scale and moods of the valley landscape.