Bill Henson

What we feel about love, ageing, beauty, longing, fear, death and so on teaches us individually and collectively about our place in the world... Indeed, for me art is the highest form of education because it is profoundly empathetic and at its best it always recommends the truth. As Plato said, ‘beauty is the splendor of truth.
—Bill Henson

© Bill Henson, Untitled, 2003-2021, CB-JPC SH258 N20C, archival inkjet pigment print, 127 x 180 cm, edition of 5 + 2AP.
© Bill Henson, Untitled, 2003-2021, CB-JPC SH258 N20C, archival inkjet pigment print,
127 x 180 cm, edition of 5 + 2AP.

A solo exhibition of new works by Bill Henson, a seminal and internationally acclaimed contemporary artist, opened recently at the Roslyn Oxley9 Gallery in Sydney. In a career spanning more than forty years, Henson's extraordinary images arrest moments of vulnerability and reveal the world through the lens of classicism. Henson's sublime imagery captures the abstract dimension of objects and figures by universalising the subject. There is a powerful sense of mystery within the images that is heightened by the artist's impressionistic approach, romantic vision, and his signature use of chiaroscuro.

Henson represented Australia at the 46th Venice Biennale in 1995. Henson’s solo exhibitions include: Bill Henson, National Gallery of Victoria and Bill Henson, Art Gallery of Western Australia, Perth (2017), Cloud Landscapes, Art Gallery of New South Wales, Sydney (2013), Bill Henson: Three Decades of Photography, Art Gallery of New South Wales, Sydney and National Gallery of Victoria, Melbourne (2005), Bill Henson, Centro de Fotografia, University of Salamanca, Spain (2003), Bill Henson, Scalo, Zurich, Switzerland (2001), Bill Henson, Tel Aviv Museum of Art (1993), Bill Henson Photography, Denver Art Museum (1989), Bill Henson Photographs, Bibliotheque Nationale, Paris, (1990) and Bill Henson Fotografien, Museum Moderner Kunst, Palais Liechtenstein, Vienna (1989).

© Bill Henson. Untitled, 1999-20, CB-KMC 7 SH171 N9B, archival inkjet pigment print, 127 x 180 cm, edition of 5 + 2AP.
© Bill Henson. Untitled, 1999-2020, CB-KMC 7 SH171 N9B, archival inkjet pigment print,
127 x 180 cm, edition of 5 + 2AP.

Henson had his first solo exhibition, at the age of 19, at the National Gallery of Victoria in 1975. The NGV has now acquired over 100 Henson works, the most significant of any public institution. Henson’s work is held in every major public collection in Australia and many overseas collections including Los Angeles County Museum of Art, San Francisco Museum of Modern Art, Solomon R Guggenheim Museum, New York, Denver Art Museum, Houston Museum of Fine Art, 21C Museum, Louisville, Montreal Museum of Fine Arts, Museum Moderner Kunst, Vienna, Sammlung Volpinum, Vienna, Museo Nacional Centro de Arte Reina Sofia, Madrid, Bibliothèque Nationale de Paris, Victoria and Albert Museum, London, Tate, London.

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November

Sydney: The exhibition delves into the State Library of NSW's vast collection of two million images, showcasing 400 photos – many displayed for the first time.

February

Melbourne: Jill Orr’s The Promised Land Refigured is an exhibition that reworks the original project created in 2012 with new insights that have emerged in the past eleven years.

March

Melbourne: Environmental Futures features five artists whose work addresses how the natural world is affected by climate change and encompasses photography, sculpture and installation both within the gallery spaces and around the museum grounds.

Ballarat: Nan Goldin is an American artist whose work explores subcultures, moments of intimacy, the impacts of the HIV/AIDS and opioid epidemics on her communities, and photography as a tool for social activism.

Sydney: The Ocean Photographer of the Year Award, run by London based Oceanographic Magazine is in its 4th year and has quickly achieved recognition amongst photographers around the world.

Albury: The National Photography Prize offers a $30,000 acquisitive prize, the $5000 John and Margaret Baker Fellowship for an emerging practitioner, and further supports a number of artists through focused acquisitions.

April

The City Surveyor’s ‘Condemnation and Demolition Books’ is a key photographic collection held in the City Archives comprising almost 5000 photographs and associated glass plate negatives.

Sydney: The images in Bill Henson’s cinematic new body of work, The Liquid Night, derive from work the highly acclaimed artist shot on 35mm colour negative film in New York City in 1989.

May

Ballarat: Art Gallery of Ballarat presents Lost in Palm Springs, a multidisciplinary exhibition that brings together fourteen creative minds who respond to, capture, or re-imagine the magical qualities of the landscape and the celebrated mid-century modern architecture of Palm Springs, California and across Australia.