Aubrey Beardsley Collection (page 6)

The Toilet of Helen, 1890s, (1935). Creator: Aubrey Beardsley
The Toilet of Helen, 1890s, (1935). A bare-breasted Helen sits at the dressing-table as a veiled woman attends to her hair. Grotesque dwarf figures fight in the foreground

The Abbe, 1896, (1935). Creator: Aubrey Beardsley
The Abbe, 1896, (1935). Character named Abbe Aubrey and sometimes Abbe Fanfreluche. From " Under the Hill", an erotic story written and illustrated by Aubrey Beardsley

Aubrey Beardsley, British artist, 1890s. Artist: Frederick Hollyer
Aubrey Beardsley, British artist, 1890s. Beardsley (1872-1898) was the most original genius of British art in the 1890s. In his short career, before his early death from consumption

Aubrey Beardsley. Artist: Evans, Frederick Henry (1853-1943)
Aubrey Beardsley. Private Collection

Aubrey Beardsley Artist: Evans, Frederick Henry (1853-1943)
Aubrey Beardsley. Private Collection

Design for Cover of Nobodys Fault, 1914. Artist: Aubrey Beardsley
Design for Cover of Nobodys Fault, 1896, (1914). Illustrion for the novel by Netta Syrett (1865-943). From The Art of the Book edited by Charles Holme. [The Studio, Ltd. London, Paris, New York, 1914]

Design for Cover of The Mountain Lovers, c. 1895, (1914). Artists: Aubrey Beardsley, William Sharp
Design for Cover of The Mountain Lovers, c.1895, (1914). Illustration for The Mountain Lovers by William Sharp (1855-1905), a Scottish writer of poetry and literary biography

Design for Title-Page of Pagan Papers, 1893, (1914). Artist: Aubrey Beardsley
Design for Title-Page of Pagan Papers, 1893, (1914). Illustration from Kenneth Grahames (1859-1932) collection of stories, Pagan Papers. From The Art of the Book edited by Charles Holme

Title-Page Designed by Aubrey Beardsley for Messrs. J. M. Dent and Sons Ltd, 1909, (1914). Artist: Aubrey Beardsley
Title-Page Designed by Aubrey Beardsley for Messrs. J. M. Dent and Sons Ltd, 1909, (1914). Illustrated edition of Le Morte d Arthur (the death of Arthur) by Thomas Malory (c.1415-1471)

Illustration from Morte D Arthur, 1893-1894, (1923). Artist: Aubrey Beardsley
Illustration from Morte D Arthur, 1893-1894, (1923). Le Morte d Arthur is a reworking of traditional tales by Sir Thomas Malory about the legendary King Arthur

The Eyes of Herod, 1894, (1912). Artist: Aubrey Beardsley
The Eyes of Herod, 1894, (1912). An illustration for Salome by Oscar Wilde. Aubrey Vincent Beardsley (1872 -1898) was an English illustrator and author

Merlin Taketh the Child Arthur into His Keeping, c1893. Artist: Aubrey Beardsley
Merlin Taketh the Child Arthur into His Keeping, c1893. An illustration for Sir Thomas Malory (d1471) reworking of Le Morte d Arthur

The Birthday of Madame Cigale, c1893. Artist: Aubrey Beardsley
The Birthday of Madame Cigale, c1893. From The Studio Volume 1 [London Offices of the Studio, London, 1893]

The Peacock Girl, 1893. Artist: Aubrey Beardsley
The Peacock Girl, 1893. An illustration for Salome, by Oscar Wilde (1854-1900). From The Studio Volume 2. [London Offices of the Studio, London, 1893]

Pan reading to a woman by a brook, 1898. Artist: Aubrey Beardsley
Pan reading to a woman by a brook, 1898. Plate taken from The Studio magazine, volume 13, no 62 (London, 14th May 1898)

A woman sitting on a rearing horse, 1898. Artist: Aubrey Beardsley
A woman sitting on a rearing horse, 1898. Plate taken from The Studio magazine, volume 13, no 62 (London, 14th May 1898)

Design for Cover ofThe Woman Who Did, 1914. Artist: Aubrey Beardsley
Design for Cover ofThe Woman Who Did, 1914. Illustration for the novel by Grant Allen, published c.1895. Allen was sympathetic to the feminist cause and womens rights

Salomes Toilette, 1894. Artist: Aubrey Beardsley
Salomes Toilette, 1894. Salome is being attended by a masked figure. Illustration for the play Salome by Oscar Wilde. (1894)

Excalibur being reclaimed by the Lady of the Lake, 1893. Artist: Aubrey Beardsley
Excalibur being reclaimed by the Lady of the Lake, 1893. A hand emerging from the lake to reclaim Excalibur, the sword which, according to legend

Cover of The Illustrated American, 1894. Artist: Aubrey Beardsley
Cover of The Illustrated American, 1894; representing a golf costume

Salome Head John The Baptist Illustration History
Salome with the head of John the Baptist. After a 19th century illustration by Aubrey Beardsley

Aubrey Beardsley Artist English England Cover
Cover design of a lady reading a book, by English artist Aubrey Beardsley, 1872 - 1898, for an 1896 edition of a catalogue of rare books offered for sale by Leonard Smithers, the London publisher

The Dancers Reward. Illustration by Aubrey Beardsley for the English edition of Oscar Wildes play Salome, published 1910

The Toilette of Salome. Illustration by Aubrey Beardsley for the English edition of Oscar Wildes play Salome, published 1910

The Black Cape. Illustration by Aubrey Beardsley for the English edition of Oscar Wildes play Salome, published 1910

The Peacock Skirt. Illustration by Aubrey Beardsley for the English edition of Oscar Wildes play Salome, published 1910

The Stomach Dance. Illustration by Aubrey Beardsley for the English edition of Oscar Wildes play Salome, published 1910

Aubrey Vincent Beardsley, 1872 -1898. English illustrator and author

An advertisement for volume I of The Yellow Book, which was published on April 15, 1894. The magazine, an illustrated quarterly, featured works by contemporary artists and writers

Aubrey Beardsley Birthday Madame Sagalle Frederick H
Aubrey Beardsley: Birthday of Madame Sagalle; Frederick H. Evans (British, 1853 - 1943); about 1894; Platinum print; 14.9 x 22.9 cm (5 7, 8 x 9 in.)

Portrait Aubrey Beardsley Frederick H Evans British
Portrait of Aubrey Beardsley; Frederick H. Evans (British, 1853 - 1943); negative 1894; print later; Gelatin silver print; 14.9 x 10.8 cm (5 7, 8 x 4 1, 4 in.)

Illustration Aubrey Beardsley Frederick H Evans
Illustration by Aubrey Beardsley; Frederick H. Evans (British, 1853 - 1943); about 1895; Platinum print; 9.2 x 23.3 cm (3 5, 8 x 9 3, 16 in.)

published Studio Isolde 1895 Aubrey Beardsley
published, " The Studio" : Isolde, 1895. Aubrey Beardsley (British, 1872-1898), Printed by William Griggs (British, 1832-1911), inventor of photo-chromo-lithography

The Toilet After Aubrey Beardsley. From Illustrierte Sittengeschichte Vom Mittelalter Bis Zur Gegenwart By Eduard Fuchs, Published 1909

Abbe by Aubrey Beardsley (1872-1898), 1896
Aubrey Vincent Beardsley (1872-1898), The Abbe, 1896

Spider Web Snake Flowers Duchess Malfi White Devil
Artokoloro

Floral Tailpiece Designs Duchess Malfi White Devil
Artokoloro

Aubrey Beardsley Illustrations Salome Oscar Wilde
Artokoloro

Unused Tailpiece Design Duchess Malfi ca 1930
Artokoloro

Aubrey Beardsley (British, 1872 - 1898), Caricature of J.M. Whistler, pen and black ink on wove paper

D Albert searching for his ideals by Aubrey Beardsley (1872-1898)
England, 20th century. Aubrey Beardsley (1872-1898), D Albert searching for his ideals

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Aubrey Beardsley: A Visionary Artist Ahead of His Time Aubrey Beardsley, a British artist born in 1872, left an indelible mark on the art world during his short but prolific career. Known for his intricate and provocative illustrations, Beardsley's unique style challenged societal norms and pushed artistic boundaries. One of his notable works is "Isolde, " created in 1895. This piece showcases Beardsley's exceptional talent for capturing delicate details with precision and finesse. Printed by William Griggs, it exemplifies the collaboration between two great minds to bring forth a masterpiece that captivates viewers even today. In "The Toilet of Lampito" from 1896, we witness another facet of Beardsley's creativity. The artist delves into satire and humor as he depicts Lampito engaged in her daily beauty routine. With meticulous lines and bold contrasts, this artwork demonstrates Beardsley's ability to infuse mundane scenes with intrigue and allure. Beardsley's fascination with mythology shines through in "Isolde" from c1895-1896. Here, he explores themes of love and tragedy through intricate engravings that transport us to a mythical realm filled with passion and despair, and is evident that Beardsley possessed not only technical skill but also a deep understanding of human emotions. "The Climax, " created around 1893, showcases the artist's penchant for pushing boundaries further than ever before. This controversial piece challenges societal taboos surrounding sexuality while showcasing Beardsley's mastery over composition and form. Frederick Hollyer captured Aubrey Beardsley himself in a photograph dating back to c1893. The portrait reveals the intensity behind those piercing eyes—a reflection of an artist consumed by his craft.