Feel the passion of Käthe Kollwitz in our art prints.

Our art reproductions bring moments of comfort directly into your home.


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Österreichische Kunstmanufaktur

Feel the passion of Käthe Kollwitz in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
Käthe Kollwitz
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available


The most popular works of Käthe Kollwitz

These artworks are particularly popular with our customers.

K.Kollwitz, Kopf eines Kindes in...
19th century | Pencil drawing

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Käthe Kollwitz, Ruf des Todes
1934 | graphic

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K.Kollwitz, Weiblicher Rückenakt...
1903 | printmaking

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The most popular works of Käthe Kollwitz

These artworks are particularly popular with our customers.


Discover more artworks by Käthe Kollwitz

Discover more artworks by Käthe Kollwitz

274 artworks found
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Frau mit Orange
1901 | printmaking

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Mutter mit Kind auf dem Arm
Undated | Lithograhy

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K.Kollwitz, Die Mütter
1916 | printmaking

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K.Kollwitz, Der Kuss
1909 | graphic

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Die Witwe
1916 | printmaking

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K.Kollwitz, Saatfrüchte sollen n...
1941 | printmaking

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Die Gefangenen
1908 | printmaking

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Selbstbildnis im Profil nach lin...
1889 | graphic

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Käthe Kollwitz, Weiblicher Rücke...
1901 | Algraphie

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K.Kollwitz, Pflugzieher und Weib
1902 | printmaking

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K.Kollwitz, Weiblicher Halbakt
1903 | graphic

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Nachdenkende Frau
1920 | printmaking

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Trauernde Frau
1897 | graphic

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Gesenkter Frauenkopf
1905 | printmaking

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Familie
1931 | printmaking

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K.Kollwitz, Maria und Elisabeth III
1929 | printmaking

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Käthe Kollwitz, Frau mit totem K...
1903 | printmaking

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Nie wieder Krieg
1924 | printmaking

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Selbstbildnis mit der Hand an de...
1910 | printmaking

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Aktstudie zu Das Leben
19th century | graphic

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Die Witwe
1922 | printmaking

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Frau mit Sense
1905 | printmaking

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Hans Kollwitz mit Kerze
1895 | pen drawing

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Vergewaltigt
1907 | printmaking

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K.Kollwitz, Die Eltern
1916 | printmaking

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Deutschlands Kinder hungern
1924 | printmaking

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K.Kollwitz, Turm der Mütter
1937 | sculpture

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K.Kollwitz, Tod packt eine Frau
1934 | printmaking

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Lachende Frau
1901 | Pencil drawing

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Weiblicher Rückenakt auf grünem ...
1903 | printmaking

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Käthe Kollwitz, Selbstbildnis 1904
1904 | printmaking

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Frau mit totem Kind
1903 | printmaking

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Frau mit totem Kind
1903 | printmaking

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Selbstbildnis
1889 | graphic

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K.Kollwitz, Frau mit totem Kind
1903 | graphic

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Frau mit Orange
1901 | Aquatinta

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Mutter mit Kind auf dem Arm
1910 | graphic

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Ein Weberaufstand - Weberzug
Undated | engraving

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Down with the Abortion Paragraph...
Undated |

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Ein Weberaufstand - Sturm
Undated | engraving

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Saatfrüchte sollen nicht vermahl...
1942 | printmaking

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Brot
1924 | printmaking

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Betendes Mädchen
1892 | printmaking

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Käthe Kollwitz, Tod und Frau
1910 | printmaking

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The End, from the series 'The Re...
1897 | etching and aquatint

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Frau mit totem Kind
1903 | printmaking

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K.Kollwitz, Schlachtfeld
1907 | graphic

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Pariser Kellerlokal
1904 | graphic

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K.Kollwitz, Das Opfer
1922 | printmaking

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Die Eltern
1916 | graphic

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Kindersterben
1925 | printmaking

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Käthe Kollwitz, Aufruhr
1524 | printmaking

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K.Kollwitz, Die Mütter
1916 | printmaking

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Arbeiterfrau (mit dem Ohrring)
1910 | printmaking

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Tod, Frau und Kind
1910 | printmaking

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Mutter und Kind
1910 | printmaking

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Jugendliches Selbstbildnis mit l...
1892 | Pencil drawing

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After the Battle, from the serie...
1907 | etching, engraving and aquatint

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K.Kollwitz, Nie wieder Krieg
1923 | graphic

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K.Kollwitz, Liebespaar
1909 | graphic

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Weiblicher Rückenakt auf grünem ...
1903 | printmaking

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Frau an der Wiege
1897 | printmaking

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Sitzender weiblicher Rückenakt
1910 | graphic

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Käthe Kollwitz, Szene aus Germinal
1888 | graphic

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K.Kollwitz, Kniender Mann vor we...
1901 | graphic

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Bettelnde
1924 | printmaking

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Schlachtfeld
1907 | printmaking

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Die Klage, 1938
1938 | bronze with brown patina

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Page 1 / 3



Käthe Kollwitz

Käthe Kollwitz

  July 8, 1867
  April 22, 1945
   •   Nonclassified artists   •   Wikipedia: Käthe Kollwitz

Käthe Kollwitz was confronted with death early in her life. Thus, three of her siblings died. Her whole life she had a conversation with death, her sister once wrote. At the age of 20, Kollwitz arrived in Munich before the turn of the century. Kollwitz had grown up in Königsberg and studied at a drawing school for girls in Berlin. She came to Munich at the request of her father. He was concerned about her artistic career, as she had become engaged to Karl Kollwitz, a medical student. She liked the tranquil Munich. Her fellow students, however, mocked Käthe. For an art student who was at the same time engaged in a middle-class way was not looked upon favorably. In addition to the judgmental looks of the others, Kollwitz also had difficulties in artistic terms. In her opinion, the others were much more talented in painting. Then, when she discovered a brochure about painting and drawing, she realized that she was not really a painter. Now her true talent could unfold. Through drawing, Kollwitz was able to emphasize the essential in people like hardly anyone else. Thus she was able to develop stylus art, the work with charcoal, pen and pencil, to the highest level of mastery. She was able, through the interpretation of her time, to discover a reality that remains hidden from most artists.

Kollwitz often accompanied her husband to his patients and learned about the hardship in the poor quarters of Berlin. In a sense, she felt beauty in the suffering and gloom of proletarian life. From her encounters with the workers, Kollwitz felt a sense of obligation to serve the workers with her art. Even though many contemporaries did not recognize a sense of purpose in art, her highest ideal was to make an impact with her art.

Kollwitz, however, never wanted to be seen merely as a performer of the proletariat. She recognized early that people have to suffer not only from their class-related circumstances, but also from the inescapable laws of life, under separation and death. The year 1914 and the associated outbreak of the First World War once again underpinned her view of the suffering of life. Käthe Kollwitz had two sons when the war broke out, Hans and Peter. Peter was 18 years old when the war broke out and he volunteered for the front. Only 18 days after Käthe Kollwitz took her son to the train station, he was killed in action. Käthe Kollwitz could not get over the death of her son.

Käthe Kollwitz

Käthe Kollwitz
  July 8, 1867
  April 22, 1945
   •   Nonclassified artists   •   Wikipedia: Käthe Kollwitz

Käthe Kollwitz was confronted with death early in her life. Thus, three of her siblings died. Her whole life she had a conversation with death, her sister once wrote. At the age of 20, Kollwitz arrived in Munich before the turn of the century. Kollwitz had grown up in Königsberg and studied at a drawing school for girls in Berlin. She came to Munich at the request of her father. He was concerned about her artistic career, as she had become engaged to Karl Kollwitz, a medical student. She liked the tranquil Munich. Her fellow students, however, mocked Käthe. For an art student who was at the same time engaged in a middle-class way was not looked upon favorably. In addition to the judgmental looks of the others, Kollwitz also had difficulties in artistic terms. In her opinion, the others were much more talented in painting. Then, when she discovered a brochure about painting and drawing, she realized that she was not really a painter. Now her true talent could unfold. Through drawing, Kollwitz was able to emphasize the essential in people like hardly anyone else. Thus she was able to develop stylus art, the work with charcoal, pen and pencil, to the highest level of mastery. She was able, through the interpretation of her time, to discover a reality that remains hidden from most artists.

Kollwitz often accompanied her husband to his patients and learned about the hardship in the poor quarters of Berlin. In a sense, she felt beauty in the suffering and gloom of proletarian life. From her encounters with the workers, Kollwitz felt a sense of obligation to serve the workers with her art. Even though many contemporaries did not recognize a sense of purpose in art, her highest ideal was to make an impact with her art.

Kollwitz, however, never wanted to be seen merely as a performer of the proletariat. She recognized early that people have to suffer not only from their class-related circumstances, but also from the inescapable laws of life, under separation and death. The year 1914 and the associated outbreak of the First World War once again underpinned her view of the suffering of life. Käthe Kollwitz had two sons when the war broke out, Hans and Peter. Peter was 18 years old when the war broke out and he volunteered for the front. Only 18 days after Käthe Kollwitz took her son to the train station, he was killed in action. Käthe Kollwitz could not get over the death of her son.





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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
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