Rembrandt, his life, his work and his time . PEN DRAWING, HEIGHTENED WITH SEPIA. (Heseltine Collection.) CHAPTER IX. SASKIA VAN UYLENBORCH AND HER FAMILY—REMBRANDT S PORTRAITS OF HER THE JEWISH BRIDE REMBRANDT MARRIES SASKIA (jUNE 22, 1634)—STUDIES AND PICTURES PAINTED FROM HER : THE ARTEMISIA IN THE PRADO, THEBURGOMASTER PANCRAS AND HIS WIFE, THE REMBRANDT AND SASKIA IN THEDRESDEN GALLERY—HIS INDUSTRY.. W E have seen how laborious were Rem-brandts first years at Amsterdam.But our long list of the works•p painted at this period is far from complete.To it we must add a number of drawings, andma

This image is a public domain image, which means either that copyright has expired in the image or the copyright holder has waived their copyright. Alamy charges you a fee for access to the high resolution copy of the image.

This image could have imperfections as it’s either historical or reportage.

Rembrandt, his life, his work and his time . PEN DRAWING, HEIGHTENED WITH SEPIA. (Heseltine Collection.) CHAPTER IX. SASKIA VAN UYLENBORCH AND HER FAMILY—REMBRANDT S PORTRAITS OF HER THE JEWISH BRIDE REMBRANDT MARRIES SASKIA (jUNE 22, 1634)—STUDIES AND PICTURES PAINTED FROM HER : THE ARTEMISIA IN THE PRADO, THEBURGOMASTER PANCRAS AND HIS WIFE, THE REMBRANDT AND SASKIA IN THEDRESDEN GALLERY—HIS INDUSTRY.. W E have seen how laborious were Rem-brandts first years at Amsterdam.But our long list of the works•p painted at this period is far from complete.To it we must add a number of drawings, andmany etchings, executed either by himself orunder his supervision. As, however, any dis-cussion of the latter involves vexed questionsas to collaborators, we will consider them inour next chapter, when dealing with the firstpupils whom the masters fame attracted to his studio. In-defatigable as was Rembrandt, and jealously as he guardedthe time he desired to consecrate wholly to his art, we cannotbut marvel that such an extraordinary mass of work shouldhave been accomplished by one man. A whole series of portraits REMBRANDT WITHMOUSTACHIOS. About 1634 (B. 2.) i66 REMBRANDT painted at this period remains to be noticed : those which theyoung artist, faithful to a habit he retained throughout his life, painted either from himself, or from his intimates. They forman important section of his œuvre, an