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Grahn young Stock Photos and Images

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Grahn young Stock Photos and Images

Giselle, a romantic ballet in two acts, Carlotta Grisi, Marie Taglioni, Lucile Alexia Grahn-Young, Fanny Cerrito, Stock Photo
RMF7D4G2–Giselle, a romantic ballet in two acts, Carlotta Grisi, Marie Taglioni, Lucile Alexia Grahn-Young, Fanny Cerrito,
Lucile Grahn-Young (facs. sig.) als Catharina in dem Ballet Die Tochter des Banditen (NYPL b12148997-1532701) Stock Photo
RMJHAT9K–Lucile Grahn-Young (facs. sig.) als Catharina in dem Ballet Die Tochter des Banditen (NYPL b12148997-1532701)
Lucile Grahn-Young (facs. sig.) als Catharina in dem Ballet Die Tochter des Banditen Stock Photo
RM2EBCTM2–Lucile Grahn-Young (facs. sig.) als Catharina in dem Ballet Die Tochter des Banditen
Lucile Grahn-Young (facsimile signature) als Catharina in dem Ballet Die Tochter des Banditen (NYPL b12148493-5191060) Stock Photo
RMJHJ7J0–Lucile Grahn-Young (facsimile signature) als Catharina in dem Ballet Die Tochter des Banditen (NYPL b12148493-5191060)
Lucile Grahn-Young (facsimile signature) als Catharina in dem Ballet Die Tochter des Banditen Stock Photo
RM2EBCTNG–Lucile Grahn-Young (facsimile signature) als Catharina in dem Ballet Die Tochter des Banditen
Grahn, Lucile, 30.6.1819 - 4.4.1907, Danish dancer, half length, wood engraving, circa 1850, Stock Photo
RMBHN6J4–Grahn, Lucile, 30.6.1819 - 4.4.1907, Danish dancer, half length, wood engraving, circa 1850,
Lucile Grahn-Young as Catharina in the ballet: The daughter of the bandit. '. Tancer Lucile Grahn-Young as Catharina in the ballet' The daughter of the bandit '(from' Spray album for Theater & Musik '). Albert Henry Payne ( 1812-1902), realization, Albert Henry Payne (1812-1902), publisher Stock Photo
RM2JAFRW7–Lucile Grahn-Young as Catharina in the ballet: The daughter of the bandit. '. Tancer Lucile Grahn-Young as Catharina in the ballet' The daughter of the bandit '(from' Spray album for Theater & Musik '). Albert Henry Payne ( 1812-1902), realization, Albert Henry Payne (1812-1902), publisher
Hand-colored version of *MGZFB Gra L Cat 1.; Lucile Grahn-Young (facs. sig.) als Catharina in dem Ballet Die Tochter des Banditen. Stock Photo
RM2AGJ149–Hand-colored version of *MGZFB Gra L Cat 1.; Lucile Grahn-Young (facs. sig.) als Catharina in dem Ballet Die Tochter des Banditen.
Chris Dangerous – Christian Grahn – of The Hives at Cardiff University on 1 February 2002. Photograph: Rob Watkins Stock Photo
RM2R79N4C–Chris Dangerous – Christian Grahn – of The Hives at Cardiff University on 1 February 2002. Photograph: Rob Watkins
After a lithograph by John Brandard. Grahn in Perrot's ballet Catarina; ou La fille du bandit. To right, looking right, left hand at waist, right hand holding musket. Outdoor setting.; Lucile Grahn-Young [facsimile signature] als Catharina in dem Ballet Die Tochter des Banditen. Stock Photo
RM2AGJ15F–After a lithograph by John Brandard. Grahn in Perrot's ballet Catarina; ou La fille du bandit. To right, looking right, left hand at waist, right hand holding musket. Outdoor setting.; Lucile Grahn-Young [facsimile signature] als Catharina in dem Ballet Die Tochter des Banditen.
New pas de quatre, by Mademoiselles Taglioni, C. Grisi, L. Grahn, and Cerito, at Her Majesty's Theatre, 1845. Ballet on the London stage: '...nothing could be more calculated for effect than the appearance, at the same time, of these four dancers, each possessing a style so peculiarly her own, and each attaining in that style the highest degree of perfection. The buoyant joyousness of Cerito; the stately elegance - the classical poses of Grahn; the graceful archness of Carlotta Grisi; the simplicity - the poetry - the intellectuality of Taglioni's dancing; all these form contrasts of a most pe Stock Photo
RM2E2JB12–New pas de quatre, by Mademoiselles Taglioni, C. Grisi, L. Grahn, and Cerito, at Her Majesty's Theatre, 1845. Ballet on the London stage: '...nothing could be more calculated for effect than the appearance, at the same time, of these four dancers, each possessing a style so peculiarly her own, and each attaining in that style the highest degree of perfection. The buoyant joyousness of Cerito; the stately elegance - the classical poses of Grahn; the graceful archness of Carlotta Grisi; the simplicity - the poetry - the intellectuality of Taglioni's dancing; all these form contrasts of a most pe
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